圖 ：《下樓梯的杜象》(Marcel Duchamp walking downstairs)，攝影艾里奧特‧艾里索封，1952。
圖片來源：曾長生，《世界名畫家全集─杜象》，頁46。
文章內容節錄於：本人詹嘉華碩士論文。
《身體構圖II》身體軌跡於互動裝置藝術之創作與研究
“Soma Mapping II”The Creation and Research of Interactive Installation Art Using Body of Image
摘 要
以身體軌跡為議題的互動裝置藝術，在歷史上一直為藝術家所探討的重點，當今數位科技日漸進步的背景下，互動科技開啟了更新型態身體軌跡呈現的可能性。本創作《身體構圖II》互動裝置藉由數位媒材、互動機制以及身體影像的再現，建構出能紀錄觀者的身體軌跡，並且加入至陌生人群的身體軌跡中，構成身體軌跡的集體共同創作，呈現小型社群的縮影。在文獻探討部分將包含未來主義發展、數位藝術發展與互動裝置藝術的互動特質等議題，並藉由身體軌跡、數位身體的再現、數位媒材複合性、集體共同創作、互動裝置介入、觀賞角度轉換及網絡社群的縮影等，來傳達《身體構圖II》互動裝置的創作理念及方法。
關鍵字：互動裝置藝術、數位藝術、身體軌跡、網絡社群、未來主義
Abstract
Throughout history, installation artworks that explore the locus of the body have been a focus for study amongst artists. With
advancements in digital technology as the backdrop to our modern world, interactive technologies have
opened up possibilities for a new art form of body locus. The interactive installation of the artwork, Soma Mapping II, utilize digital
media and interactive mechanisms in conjunction with represented images of the body to construct locus by recording the audience's movements and revealing the epitome of a small community.
This research will discuss the development of futurism and digital art, as
well as topics related to characteristics of integrative
art. Through body locus, representations of the digital body, the complex nature of
digital media, co-creations, interactive installation, the altered perspectives of
the audience, and the epitome of network communities, the creative
concepts and methods behind Soma Mapping II’s interactive installation are presented.
Keywords: Interactive installation art, digital
art, body image, network
communities, futurism
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